Huda Lutfi
Cultural historian Huda Lutfi is a self-taught artist. Professor Emerita of History at the American University, Cairo, Lutfi holds a PhD in Islamic Culture and History. Her artistic practice is closely aligned with her research, both of which reflect upon history and traditions as they exist in the contemporary world. In considering the present-day interpretations and misinterpretations of the past, Lutfi investigates the human psyche as it relates to remembrance.
Lutfi’s practice has always been in conversation with a larger political context. She traditionally incorporated strong elements of popular culture, political insignia, and a play on slogans and language. The human figure has been an essential part of her language, coming in the form of deconstructed Cairo mannequins, in repetition and as reflections of excess, waste, and the value of bodies in the urban context that engulfs her oeuvre. Lutfi’s use of pop icons has been confrontational and direct while also abstracted to create sharp statements on social and political conditions.
Her work took a more self-reflexive and inward turn in the recent years (Still, 2018). While some of the work remained figurative, it would be set in surrealistic domestic scenes, exploring silence and other metaphors for death, reflecting on personal questions and familial concerns (When Dreams Call for Silence, 2019). In her following series of work, Healing Devices (2020-ongoing), Lutfi oscillates towards sculptural paper abstractions. Inspired by the 12th-century Arab designer and polymath Ismail al-Jazari’s book, The Knowledge of Ingenious Mechanical Devices, Lutfi enters zones of unvisited historical memory. “In the face of subjective and collective states of constraints and anxiety,” says Lutfi, “the actual practice of making these ‘healing devices’ brought about not only emotional relief, but also an open and playful process spurred on by the surprises of experimentation.”
In her recent Our Black Thread (2020-2021) series, Lutfi’s reactions to her environment takes on an even quieter meditative discourse from her previous work. She invokes feminine traditions of craftsmanship and dedicates days of labor to create numerous miniature embroideries, a practice that moves between her own home and her studio. In abstracting a process of a historically predetermined craft, she creates trajectories and lines without planning an end result. Leaving in all the irregularities and glitches, one can track the entanglements and material relationships between the elements and their points of juncture with her own mind.
Selected solo exhibitions include Unraveling (2025), The Third Line, Dubai, UAE; Still (2018), The Third Line, Dubai, UAE (2018); Healing Devices, Dallas Museum of Art, Texas, USA (2021); Our Black Thread, Gypsum Gallery, Cairo, Egypt (2021); When Dreams Call for Silence, The American University in Cairo, Tahrir Cultural Center, Cairo, Egypt (2019); Still, The Third Line, Dubai, UAE (2018); Magnetic Bodies: Imaging the Urban, The Third Line, Dubai, UAE (2016) to name a few.
Selected group exhibitions include Imagine Climate Dignity, Kunstlerhaus Wien, Vienna, Austria (2025); The Circle Was a Point, Foundry Downtown, Dubai, UAE (2024); Being and Belonging, The Royal Ontario Museum, Toronto, Canada (2023); Islamic Arts Biennale, Jeddah, Saudi Arabia (2023); Women Defining Women In Contemporary Art Of The Middle East And Beyond, Los Angeles County Museum of Art, Los Angeles, USA (2023); History Leads to Twisted Mountains, ARD for Art, Cairo, Egypt (2022) ; Reflections on Contemporary Art of the Middle East and North Africa, The British Museum, London, UK (2021); There Is Fiction In The Space Between, The Third Line, Dubai, UAE (2020); Occupational Hazards, Apexart, New York, USA (2019); Tell me the Story of all These Things, Villa Vassilieff, Paris, France (2017); The Turn: Art Practices in Post-Spring Societies, Kunstraum Niederoesterreich, Vienna, Austria (2016); La Bienal del Sur, Caracas, Venezuela (2015); Terms & Conditions, Singapore Art Museum, Singapore (2013); My World Images, Festival For Contemporary Art, Copenhagen, Denmark (2010).
Lutfi currently lives and works in Cairo, Egypt.
Huda Lutfi
Unraveling15 Apr - 8 Jun 2025'Unraveling' is the fourth solo exhibition by Huda Lutfi at The Third Line.Read moreHot Spots
A Collaboration Between Tabari Artspace and The Third Line9 Jan - 10 Mar 2025Hot Spots is the first collaborative exhibition between Tabari Artspace and The Third Line at Sotheby’s, Dubai. This exhibition is part of Sotheby’s ongoing collaboration with regional galleries and brings...Read moreTHERE IS FICTION IN THE SPACE BETWEEN
23 Mar - 30 Jul 2020The Third Line is pleased to present There Is Fiction In The Space Between , a group exhibition celebrating the gallery’s fifteenth anniversary. This exhibition draws on the breadth of...Read moreSTILL
Huda Lutfi12 Nov - 27 Dec 2018The Third Line is pleased to present Still , Huda Lutfi’s third solo exhibition at the gallery. Featuring new works produced over the last year and a half, the exhibition...Read moreMAGNETIC BODIES: IMAGING THE URBAN
Huda Lutfi25 Apr - 4 Jun 2016The Third Line is pleased to present Magnetic Bodies: Imaging the Urban , Huda Lutfi’s second solo show in Dubai. The exhibition, which includes photo-collage, sculpture, installation and video works,...Read more
Perpetual Inventory And Dr. O’s Pop Shop
Selections Magazine, December 31, 2022Charity art exhibition for Palestinian children opens in Cairo: 'This is the least that we can do'
Nada El Sawy, The National, May 26, 2021A British Museum exhibition challenges misconceptions about ‘Islamic art’
Jonathan Gornall, Arab News, February 12, 2021Timelines and topographies step up at The Third Line show
Muhammad Yusuf, Gulf Today, December 29, 2020Art History’s Best Mustaches: Huda Lutfi’s Bespectacled and Mustachioed Self-Portrait
Benjamin Sutton, Blouin Artinfo, November 18, 2013Egypt: Art From Tahrir
Myrna Ayad, Canvas Magazine, February 1, 2013Huda Lutfi: The Artist and the Historical Moment
Mai Serhan, Jadaliyya, October 18, 2012
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