Past Exhibition / Pouran Jinchi

The Blind Owl

September 18 - October 24, 2013

  • PJ_Pink -Painting -(The -Blind -Owl -Series )_2013_Ink -on -Canvas _122-x -122cm

    Pouran Jinchi, Pink Painting (The Blind Owl Series), 2013, Ink on Canvas, 122 x 122 cm

  • PJ_Black -Painting -(The -Blind -Owl -Series )_2013_-Ink -on -Canvas _152.4-x -122-cm 650

    Pouran Jinchi, Black Painting (The Blind Owl Series), 2013, Ink on Canvas, 152.4 x 122 cm

  • PJ_The -Blind -Owl -(Purple )_2013_Ink -on -paper _71pcs ,-12-x -13.3cm -each 650

  • PJ_Untitled -#2-(The -Blind -Owl -Series )_2013_Plexiglass -and -Permenant -Marker _25.4-x -30.5-cm -x -5.4-cm -(Detail 4)650

    Pouran Jinchi, Untitled #2 (The Blind Owl Series), 2013, Plexiglass and Permenant Marker, 25.4 x 30.5 cm x 5.4 cm (Detail)

Images

Pouran Jinchi - The Blind Owl

Pouran Jinchi returns to The Third Line with her third solo show, The Blind Owl, continuing her investigation into deconstructing calligraphy and looking into the deeper complexities of the written word. The artist explores the physical form and its signified insinuations through the lens of the dark narratives of The Blind Owl, a major literary work by Iranian author Sadegh Hedayat. 

This publication, penned in the late 1930s, explores a grim fascination with death and for the most part was banned in Iran. It was this polemic around the book that aroused curiosity in Pouran’s youth, and has been a source of inspiration for her work. “I write only for my shadow which is cast on the wall in front of the light. I must introduce myself to it” - Pouran uses Hedayat’s quote as a point of departure for exploring various media such as intricate drawings on paper and paintings, as well as sculptures in copper and plexiglass, to deliver her experience of the confessional narrative.

In this new body of work, Pouran interprets the Iranian tradition of calligraphy and Islamic geometry through the lens of contemporary aesthetics and focuses on the weight of letters, phrases and quotes to convey her own narrative. As with previous works where she drew inspiration from seminal text works like the Quran and the Cyrus Cylinder (ancient Persian text based artifact), The Blind Owl is an example of how Pouran uses literature to inform her practice. By using abstraction and repetitive patterning, she provides a visual experience that is left to the individual interpretation of the viewer.

PROJECT SPACE - Nadia Ayari, The Fountain and The Fig