Past Exhibition / Group Show

Life Drawing

December 19, 2007 - January 10, 2008

  • HK_Chained Women _2006_Sumi Ink On Paper _45x 65cm _650

  • HK_Honor Killings _2006_Sumi Ink & Acrylic On Paper _73.5x 52.5cm _650

  • HK_Jellyfish _2007_Sumi Ink ,watercolor & Gouache On Paper _96.5x 53.3cm _650

  • HK_Melancholic Aristocracy _2007_Sumi Ink & Acrylic On Paper _76x 60cm _650

  • Lamya Gargash _Izdihar _Stills From Video _2007_650

  • Lamya Gargash _Lee _Stills From Video _2007_650

  • Lamya Gargash _Neda Veil 1_Stills From Video _2007_650

  • Lamya Gargash _Neda Veil 2_Stills From Video _2007_650


Life Drawing: Approaches to figurative practices by Neda Hadizadeh, Ghadah Al Kandari, Hayv Kahraman and Lamya Gargash, presents works that converge through literal or fragmented depictions of the body. Through the different mediums of drawing, painting and video, these four young female artists decipher the figure and its representation while simultaneously commenting on the environment in which they live. 

Kuwaiti artist Ghadah Al Kandari's works range from colourful and brash like portraits to extremely simple black and white drawings.The commonality between her painting and drawings are her subjects – all are relatives depicted in off-beat domestic settings which hint toward family dynamics and the relationships between the individuals. 
Iraqi artist Hayv Kahraman's highly graphic drawings depict the ravaging effects of war, which always affect women the hardest. Using Sumi ink on brown paper, Hayv's wide stylistic references range from Japanese and Arabic calligraphy art nouveau, Persian miniature and Greek iconography.

Emirati artist Lamya Gargashcatches our curious gaze by omitting vital information from the female form. Gargash’s video portraits highlight the awkward space between the garment and the body by manipulating two comparative images – one displayed with only the garment in view, the other with only the body in view, questioning society’s perceived understanding of female representation.
Iranian artist Neda Hadizadehpaints fragmented figurative works with vibrant brush strokes and strong black lines. Dripping, figurative outlines are placed on a background of colour, usually contain the model’s fingers or bony hands covering or concealing segments of the figure. Her work depicts the human form with angst and psychological drama in a dark and unsettling manner.